Yesterday, at the MACRO Testaccio, I spent time thinking/sketching at the old tables in the courtyard and enjoyed the imperfection of them. Why is the slow breakdown of things so appealing to me? It suggests time, experience and story. There's not much story to be imagined in the shiny plastic tables at the MAXXI, by comparison.
I have been experimenting with ideas to celebrate the everyday fissures. The happy signs of aging and decomposition that act as a sort of momento mori. It is all impermanent.
Anyway, I tried a few different things, but decided that pavement cracks and the like require no embellishment.
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